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Black pictorial paper over board, featuring details of Antonio Berni's 1962 artwork "Carnaval de Juanito" to front, 1964 artwork "Ramona de la calle" to back, white lettering to front, red, green, blue, and white lettering to spine, slight cocking to spine, otherwise, superior copy inside and out, with only the most minimal, unobtrusive wear to bindings, text-block and endpapers. [12] 400 [2] pp., replete with black-and-white and full-color images. Includes Forewords by Gary Tinterow and Eduardo F. Costantini, essays by Guillermo David, Andrea Giunta, Hector Olea, Marcelo E. Pacheco, Mari Carmen Ramirez, and Michael Wellen, Works in Exhibition, Period Texts, Chronology (1959-1978), Checklist of the Exhibition, Contributors, and Index. Published in conjunction with the exhibition of the same name at the Museum of Fine Arts, Huston from November 10, 2013 to January 26, 2014. From Eduardo F. Costantini's Foreword: "This exhibition is the result of an exhaustive study of Berni's work and experimentation in the field of printmaking that spans his original xylo-collage-relief technique and his paintings, assemblages, and multimaterial objects in a collection that includes some 150 key works produced between the late 1950s and the late 1970s."
