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Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries
Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries
Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries
Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries
Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries
Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries
Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries

Instinct: Open Intimate Closed Rooms - Bergen Kunstforening 2000 Exhibition Catalog | Art Collection Showcase for Museums & Galleries

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Description

Morland, Astrid, et al. Instinct: Open Intimate Closed Rooms (Bergen, Norway: Bergens Kunstforening, 2000).
Mostly bilingual text in Norwegian and English (a few parts appear to be in Norwegian or English exclusively), Fine, HC, 8vo, 9 3/4" x 6 3/4," 80 pp., including illustrations.
ISBN: N/A
Red full leather binding with black lettering on front and spine. Upper-right corner of front cover is slightly bumped, else covers pristine and intact, binding tight, sharp tips. Pages pristine and intact. Replete with illustrations in black-and-white and color. Exhibition catalog published on the occasion of a show that was held at Bergens Kunstforening in Bergen, Norway from September 14-October 18, 2000. The exhibition featured the work of eight noted women Surrealists, Meret Oppenheim, Leonora Carrington, Remedios Varo, Dorothy Cross, Paula Santiago, Gitte Daehlin, Vilde von Krogh, and Elisabeth Mathisen. Main texts by the curator of the show, Astrid Morland. Also includes an introductory statement (exclusively in English) by art historian Whitney Chadwick.

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